This poem was made up of 18 stanzas with 6 lines each. According to Richard Kopely the meter is trochaic octameter-eight trochaic feet per line, with each foot having one stressed syllable followed by one unstressed syllable. Another structure that this poem uses heavily is alliteration. Alliteration is the repetition of consonant sounds in a series of words.

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An example would be such as doubting, dreaming dreams. Edgar Allen Poe was also reported as having a very extensive vocabulary. He would many times use words that were not commonly used. Examples of words he used in this poem are Seraphim which is a six winged angel standing in the presence of God.

Another is Nepenthe which is a potion used by ancients to induce forgetfulness or sorrow. Balm of Gilead is a soothing ointment made in Palestine. Plutonian the God of the underworld in Roman mythology.

Edgar Allan Poe's "The Raven" by Aaron Quinn

Poe believed the use of these words only enhanced the meaning he wanted to achieve in writing The Raven. The internal words of rapping and tapping and napping create an internal rhyme that is said to be almost musical and combined with the alliteration it becomes hypnotic. Onomatopoeia is also used throughout this poem.

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This is words that sound like what they describe. An example would be in lines where rustling is used. Not only was it printed for its large demand but also parodied. These showed up all over the North. There were some downfalls to this publication. Although loved and adored there were some who simply did not believe he actually wrote it.

9 Mournful Facts About Edgar Allan Poe’s "The Raven"

The ravens in both stories are said to bear a great resemblance. An anonymous writer is said to have written in to The Evening Mirror the publication who printed The Raven and suggested that it was plagiarized from a poem called The Bird of the Dream by an unnamed author. They stated that 18 similarities between the poems existed. Whatever the case Edgar Allen Poe will always be the one credited for the great masterpiece.

Many speculate that he wrote this poem in either 10 days or maybe 10 years one will never know. This poem did not bring him much financial success but did make him a literary success. Many of her friends are overtaken with fear while others are by the music the lyrics seem to display as you read. Poe received many invitations public and private to recite this poem. Poe would come in and turn the lamp light low until the entire room was almost dark. He would then stand near the center of the room and start to recite his poem in a very commanding voice.

It was state that the chosen he read this poem to were so mesmerized that they would almost not draw.

Analysis of “The Raven”

It takes quite a literary genius to illicit this kind of resonse from an audience listening to something you wrote. One can only imagine what the mood of the room must have been like, the room dark and foreboding and then one lone voice speaking of a lone young man who is lost and lonely and mourning the loss of his love.

It takes a gifted writer to bring these kinds of emotions to a reader. Then against the door. The student fancies it a visitor, opens the door, and the chance word uttered by the bird suggests to him memories and fancies connected with his own situation and the dead sweetheart or wife. Such is the poem. Its great and wonderful merits consist in the strange, beautiful and fantastic imagery and colors with which the simple subject is clothed — the grave and supernatural tone with which it rolls on the ear — the extraordinary vividness of the word painting, — and the powerful but altogether indefinable appeal which is made throughout to the organs of ideality and marvellousness.

Edgar Allan Poe: The Raven analysis - Quillsliteracy

Added to these is a versification indescribably sweet and wonderfully difficult — winding and convoluted about like the mazes of some complicated overture by Beethoven. To all who have a strong perception, of tune there is a music in it which haunts the ear long after reading.

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These are great merits, and the Raven [[ sic ]] is a gem of art. It is stamped with the image of true genius — and genius in its happiest hour. It is one of those things an author never does but once. Perched, and sat, and nothing more. She shall press, ah, nevermore! Is there — is there balm in Gilead? The introductory note is by John Moncure Daniel.

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Throughout the poem, the narrator is tormented by his lost love, Lenore, who came back in the form of a raven. Of course, it is only speculated that he killed her, but there are many clues that he has. He has only little hope of seeing Lenore again, as the ambers show in the fire.

He was also so ridden by guilt that he was haunted by the image of her, the raven. Also, the raven speaks one word, "Nevermore. His punishment is immortality, which explains why he would never see Lenore again. Lenore is punishing him for what he did to her. She drives him into insanity, and the pain of knowing he will be lonely and insane forever is her retribution. Then there is the knocking, a sign of endless guilt. The knocking goes on and on, driving him into insanity.

The knocking jumbles his thoughts and makes him incoherent.